Manual para triunfar
dc.contributor.advisor | Franco Cárdenas, Diego Hernando | |
dc.creator | Pérez Villarraga, Laura Sofia | |
dc.date.accessioned | 2025-06-04T16:03:54Z | |
dc.date.available | 2025-06-04T16:03:54Z | |
dc.date.created | 2001-12-21 | |
dc.description.abstract | La serie narra la historia de Pablo, un hombre de 30 años que vive con su madre y atraviesa una crisis de identidad por no cumplir con los estándares sociales de éxito. Tras asistir a una humillante reunión de excompañeros del colegio, Pablo decide transformar su vida. En cada episodio enfrenta temas como el trabajo ideal, el amor romántico, la obsesión por las redes sociales, las relaciones familiares y la redefinición del éxito. La historia se construye como una crítica a la presión social contemporánea, particularmente amplificada por las redes sociales, utilizando elementos del drama psicológico, la comedia dramática y el subgénero slice of life. | spa |
dc.description.abstractenglish | The series tells the story of Pablo, a 30-year-old man living with his mother who is overwhelmed by societal pressures and expectations. After attending a humiliating high school reunion, he decides to change his life. Each episode explores a new theme—ideal jobs, romantic relationships, social media obsession, family issues, and redefining success. The show serves as a critical reflection on contemporary societal pressure, especially amplified by social media, using elements of psychological drama, dramedy, and the slice of life subgenre. | spa |
dc.format.extent | 89 páginas | spa |
dc.format.mimetype | application/pdf | spa |
dc.identifier.uri | http://hdl.handle.net/20.500.12010/36661 | |
dc.language.iso | spa | spa |
dc.relation.references | Bowen, M. (1985). Family therapy in clinical practice. Jason Aronson. | spa |
dc.relation.references | Chou, H. T. G., & Edge, N. (2012). "They are happier and having better lives than I am": The impact of using Facebook on perceptions of others' lives. Cyberpsychology, Behavior, and Social Networking, 15(2), 117–121. https://doi.org/10.1089/cyber.2011.0324 | spa |
dc.relation.references | Cybersmile. (2023). Exploring the impact of social comparisons on Gen Z. Recuperado de https://www.cybersmile.org | spa |
dc.relation.references | Festinger, L. (1954). A theory of social comparison processes. Human Relations, 7(2), 117– 140. https://doi.org/10.1177/001872675400700202 | spa |
dc.relation.references | Freire Sánchez, A., & Vidal-Mestre, M. (2022). El concepto de antihéroe o antiheroína en las narrativas audiovisuales transmedia. Cuadernos.info, (52), 246–261. https://doi.org/10.7764/cdi.52.34771 | spa |
dc.relation.references | JED Foundation. (n.d.). Understanding social comparison on social media. Recuperado de https://jedfoundation.org | spa |
dc.relation.references | Mann, M., Hosman, C. M. H., Schaalma, H. P., & De Vries, N. K. (2004). Self-esteem in a broad-spectrum approach for mental health promotion. Health Education Research, 19(4), 357–372. https://doi.org/10.1093/her/cyg041 | spa |
dc.relation.references | Martin, R. A. (2007). The psychology of humor: An integrative approach. Elsevier. https://doi.org/10.1016/B978-0-12-372564-6.X5000-X | spa |
dc.relation.references | McKee, R. (1997). Story: Substance, structure, style and the principles of screenwriting. HarperCollins. | spa |
dc.relation.references | Mittell, J. (2015). Complex TV: The poetics of contemporary television storytelling. NYU Press. | spa |
dc.relation.references | Neimneh, S. (2013). The anti-hero in modernist fiction: From irony to cultural renewal. Mosaic: An Interdisciplinary Critical Journal, 46(4), 75–90. Recuperado de http://www.jstor.org/stable/44030709 | spa |
dc.relation.references | Palmer, J. (1994). Taking humour seriously. Routledge. | spa |
dc.relation.references | Turkle, S. (2011). Alone together: Why we expect more from technology and less from each other. Basic Books | spa |
dc.relation.references | Walsh, F. (2016). Family resilience: A developmental systems framework. European Journal of Developmental Psychology, 13(3), 313–324. https://doi.org/10.1080/17405629.2016.1154035 | spa |
dc.subject | Ansiedad social | spa |
dc.subject | Expectativas sociales | spa |
dc.subject | Éxito personal | spa |
dc.subject | Fracaso, antihéroe | spa |
dc.subject | Redes sociales | spa |
dc.subject | Validación externa | spa |
dc.subject | Comedia dramática | spa |
dc.subject | Drama psicológico | spa |
dc.subject | Crítica social | spa |
dc.subject | Narrativa no lineal | spa |
dc.subject | Salud mental | spa |
dc.subject | Presión social | spa |
dc.subject | Autoaceptación | spa |
dc.subject | Personaje inseguro | spa |
dc.subject | Comparación social | spa |
dc.subject | Slice of life | spa |
dc.subject | Construcción de identidad | spa |
dc.subject | Transformación personal | spa |
dc.subject.keyword | Social anxiety | spa |
dc.subject.keyword | Social expectations | spa |
dc.subject.keyword | Personal success | spa |
dc.subject.keyword | Personal success | spa |
dc.subject.keyword | Antihero | spa |
dc.subject.keyword | Social media | spa |
dc.subject.keyword | External validation | spa |
dc.subject.keyword | Dramedy | spa |
dc.subject.keyword | Psychological drama | spa |
dc.subject.keyword | Social critique | spa |
dc.subject.keyword | Non-linear narrative | spa |
dc.subject.keyword | Mental health | spa |
dc.subject.keyword | Social pressure | spa |
dc.subject.keyword | Self-acceptance | spa |
dc.subject.keyword | Insecure character | spa |
dc.subject.keyword | Social comparison | spa |
dc.subject.keyword | Slice of life | spa |
dc.subject.keyword | Identity construction | spa |
dc.subject.keyword | Personal transformation | spa |
dc.title | Manual para triunfar | spa |
dc.type.coar | http://purl.org/coar/resource_type/c_7a1f | spa |
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